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THE BEAT MAGAZINE
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S POT LIGHTThe Punch Brothers By Jeff Reid "Why, what a captivating jingle it is! It is almost
music. It flows along so nicely. I have nearly caught the rhymes
myself. Say them over just once more, and then I’ll have them,
sure."
The Punch Brothers — whose name is taken from the Mark Twain short story, Punch, Brothers, Punch! — is no less formidable. Featuring Chris Thile, who a Washington Post critic recently said "may well be the most virtuosic American ever to play the mandolin," and four other incredibly talented musicians, Gabe Witcher (fiddle), Chris Eldridge (guitar), Noam Pikelny (banjo), and Paul Kowert (bass), will bring their genre-bending and sold-out national tour to Wilmington on February 18th at the Kenan Auditorium. Formed in 2006, the group’s first album, How to Grow a Woman from the Ground, received a Grammy award nomination, and 2007’s Punch featured Thile’s ambitious four-movement chamber suite, "The Blind Leaving the Blind," which has received tremendous critical acclaim. Widely regarded as one of
the most interesting and inventive musicians of his generation,
Thile is credited with changing the mandolin forever by elevating it
from its origins. Often incorporating pieces by Bach and other
classical masters into his live performances, he has taken a
"fearless leap" into long form with "The
Blind Leaving the Blind." It is rigorously structured, yet the
piece leaves room for jazz-like improvisation and for the
personalities of the talented players with which he has surrounded
himself to influence its flow.
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© 2010 THE BEAT MAGAZINE Wilmington, NC 910.793.3668
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